A new set of Waiting to Be Discovered books is featured on the Read and Review page!
Every time we update the Waiting to Be Discovered carousel, we are always blown away by the diverse array of books we feature. All thanks to you! Here is a list of our Waiting to Be Discovered books: Continue reading →
Welcome Janice Peacock to the Member Spotlight! Janice recently published her first cozy mystery novel, HIGH STRUNG, A GLASS BEAD MYSTERY, Volume One of the Glass Bead Mystery Series. Janice is an award-winning glass artist, whose work has been exhibited internationally. HIGH STRUNG has earned stellar reviews on Amazon. Janice talks about how she got started writing cozy mysteries and the revision process. Connect with Janice on Book Country.
Janet Umenta: How did you get started writing cozy mysteries?
Janice Peacock: As a teen in the 1970s, I shopped the groovy bead stores in Laguna Beach, California, looking for treasures to make my own jewelry. I continued working with beads and making jewelry, and in 1992 learned a process called lampworking so that I could make my own glass beads. The first time I lit a torch and started melting glass to create beads, I knew that I was hooked. I’ve been making beads ever since, and designing jewelry with the glass components that I create.Continue reading →
Welcome to Part II of Book Country’s Ask an Editor series! Melissa Danaczko is an Editor at Doubleday, an imprint of Penguin Random House. Today, she talks about how to improve dialogue in writing, how marketability plays a role in selecting books for publication, and how editors deal with personal bias. Read Part I of Ask an Editor.
The most successful writers are those willing to really listen to the feedback they get on their manuscripts, and then use feedback to revise. And then do that again, and again, and again, until their book is really ready for readers on a large scale. On Book Country, writing and posting new drafts to share with the community is how you can gain traction for your book, widen its audience, and ultimately, have a better chance of turning your book into a publishing success. Continue reading →
So excited to have my friend and fellow Book Country member Andrea Dunlop back on the blog this morning! I just read Andrea’s book, THE SOJOURN, and I was blown away by how good it was. Just as I was finishing the book, Andrea wrote to tell me that she’s signed with literary agent Carly Watters. If you haven’t yet checked out the excerpt of THE SOJOURN that is available to read on Book Country, I highly recommend that you do so ASAP!
Lucy Silag: Tell us what compelled you to write THE SOJOURN.
Andrea Dunlop: It was inspired by the time I spent in France as a student. Traveling abroad for the first time is an incredibly heady experience, it has a way of blowing open your perspective on life.
LS: How long have you been working on it? What is your writing and revising process like?
AD: I’ve actually been working on the novel off and on for twelve years now, if you can believe it. There have been many, many versions of the story but it always came back to the friendship between [main characters] Brooke and Sophie. I’ve gotten lots of feedback from different sources over the years that have helped me shape the book: fellow writers, agents, professors, I ended up hiring a developmental editor and I can’t overstate the difference that made. After you’ve been working on something for a certain amount of time, you lose perspective on it. It really helped me to just let go and be willing to do whatever it took to make the story better. Continue reading →
This is Part IV of Book Country’s Ask an Agent Blog Series! Literary agent David Fugate of LaunchBooks answers questions about representing self-published authors and what he looks for in a writer. Check out Part I, Part II, and Part III of Ask an Agent.
1. Assuming the query letter generates your interest and the writing is strong enough in the chapters you see (and yes, that’s a big assumption), what kind of things do you look for in the writer’s personality? Or is the writer somewhat irrelevant when it comes to closing the deal with the publisher? – Steve Yudewitz
The writer is never irrelevant in any circumstance. I think any agent will always look first at the work, as if it’s not there on the page there’s not much an agent can do. Beyond that, I look for authors who I feel a strong connection to, as for me the relationship I have with my authors is a very personal one. I intentionally don’t have an assistant or use interns, and so every interaction with each author I represent is directly with me. I answer the phone, write the checks, negotiate the contracts and read the royalty statements, and I talk with my authors every step along the way so it’s important to have a great feel for working together. Continue reading →
Thank you so much for submitting questions for Book Country’s Ask an Editor blog series! Brian S. Geffen, Assistant Editor at Philomel Books, discusses what a typical day is like for him, and whether the editing process differs between new writers and seasoned writers.
The different tasks really vary week-to-week for an editor—though the answer is a bit cliché, it’s true. The work may consist of reading manuscript submissions from agents, editing contracted manuscripts (both line editing and conceptual editing), writing copy of all sorts (jacket copy; title information sheets that provide background on upcoming titles for the Marketing, Publicity, and Sales teams; catalog copy to introduce new books to booksellers), working with designers on interior and jacket design concepts, negotiating contract terms with agents and foreign publishers, and keeping informed about the general world of children’s publishing beyond one’s own publishing house. It’s easy to get engrossed in one’s own work, but it’s very necessary to be on the pulse and know what else is out there in the wider publishing world. I’m also the assistant to the Publisher of Philomel so I help out with some of the administrative tasks of the imprint as well. The varied workload really allows me to exercise different forms of creative thinking, and I find it very enjoyable and fulfilling. Continue reading →
Longtime Book Country member Marshall Maresca is back on the blog today to unveil the gorgeous cover for his first book, THE THORN OF DENTONHILL, which was workshoppped in the Book Country community and was picked up for publication by DAW Books. The book will go on sale in February 2015.
We are very excited about this! Congratulations, Marshall!
The gorgeous cover for THE THORN OF DENTONHILL by Book Country member Ryan Maresca. Read on to hear about what it’s like to finally be “done” with the manuscript.
“Done” is a tricky word in this business.
By which I mean, I was “done” with THE THORN OF DENTONHILL—the rough draft of it—in September 2008. Of course, that’s just a rough draft, so that isn’t done. Really, a year later, I had finished my edits and was querying to agents. Then it was “done”. Continue reading →