Tag Archives: Audio Books

Family Histories: Writing Memoir with Marianne Szegedy-Maszak

Posted by December 5th, 2013

December is when writers are surrounded by rhetoric about family. For our Book Country Author Q&A this week, I wanted to talk to Spiegel & Grau author Marianne Szegedy-Maszak, whose book I KISS YOUR HANDS MANY TIMES is one of the best books I’ve read this year. A stunning blend of political intrigue, intimate romance, and drily funny commentary on the central European upper classes of a bygone era, Szegedy-Maszak’s book delves into her own family’s rich history. The author is a descendant of an important and wealthy Jewish aristocratic family who’d traded their lives for safe passage into neutral Portugal during World War II. Her father, who served in the Hungarian foreign ministry, was interned as a political prisoner at Dachau, where he very nearly died of typhus. With painstaking journalistic skill, Szegedy-Maszak pieces together an incredible true story of survival, ultimately revealing the truth of how her own quiet childhood in America, with Sunday mass and Girl Scout camping trips, was the result of extraordinary twists of fate.I KISS YOUR HANDS MANY TIMES

As an aspirational memoirist myself, I was blown away by the elegance of Szegedy-Maszak’s prose, as well as her ability to weave historical detail and idiosyncratic family lore into her narrative so smoothly. Below, I asked her to fill us in on how she brought this writing project to life.

LS: It seems like the amount of detail in this book would be difficult to pull off in such an engaging way, but you did it with effortless warmth. Do you have any tips for other writers contending with such a large amount of facts, dates, and names?

MSK: Of course my first response is one of gratitude for both noticing the historical heft and appreciating the way it was integrated into the more personal story. As compelling as I found my family’s story, I also realized that it couldn’t be really understood without the broader context of the world they inhabited and the history they took for granted, the history that shaped them. I suppose that this is where the journalist in me stepped in and took charge. I needed to report this story as I would any big magazine piece and marshal the history, the documents, newspaper clippings from the time, the interviews with others who were either experts or eyewitnesses, and of course the mass of secondary sources dealing with this period. I would like to say that I had a sophisticated computer system in which each bit of information was at my fingertips, but I am still stuck with the need to look at paper. So I had a very unsophisticated but extremely practical system of dividing everything chronologically, putting whatever I had in file folders labeled with each month. When I was ready to write, each file folder contained a great combination of the history and the letters my parents wrote, and the letters that were written to them. Somehow the integration of the personal and the historical had already happened within that file in a rudimentary way.

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Understanding Subsidiary Rights

Posted by December 22nd, 2011

Book Country Twitter Chat (December 15, 2011)

Literary agency masterminds Kathleen Ortiz and Tara Hart give some insight into the complicated–but important!–world of subsidiary rights.

 twitter_newbird_boxed_blueonwhiteEvery author holds a hand that s/he may not even realize s/he’s been dealt. How so, you ask? Because any project, published or not, has the potential to reach a broader audience in myriad ways through the power of subsidiary rights.

But what are subsidiary rights (AKA subrights)? What do you need to know about that? How do you use them to your advantage? We asked some of the best in the business–Kathleen Ortiz (@KOrtizzle) and Tara Hart (@Tara_Hart28)–to give us a little tutorial.

Kathleen is the subrights director at Nancy Coffey Literary and Media Representation, where she deals with a lot of foreign, audio, and digital rights. She also represents her own authors as an agent with an ever-growing list!

Tara is the contracts and permissions manager at Jean V. Naggar Literary Agency, dealing with and negotiating subrights on a daily basis. She has a Masters in Publishing from Pace University.

Take a peek at some of the highlights from our chat, and/or download the entire transcript below:

@KOrtizzle: Subsidiary rights are, in a nutshell, all rights to your book outside of a domestic, physical copy: foreign, large print, audio, film/tv, theme park, enhanced ebook, calendars, merchandise, etc.

@Tara_Hart28: [Popular genres for translation rights] depends on the territory. I hear steampunk popular in Gemran–commericial women’s fiction in Netherlands, for example.

@SarahLaPolla: There’s a difference in royalties between download & physical CD, but both rights are sold together.

@KOrtizzle: Subrights for self-pub titles = very difficult unless sales are very high. Prepare to show numbers.

@Tara_Hart28: Remember: as creators you own all rights. You chose what rights to grant based on offer.

@LiteratiCat: Mostly only extremely popular books (Twilight, Alex Rider, etc) are being “translated” into [Graphic Novel]/Manga form.

@KOrtizzle: Audio rights are  bought by audio pubs who typically want both. Just like trad pubs want [eBook] and physical.

@Tara_Hart28
: Derivative rights is defined in copyright as any derivative of the original–which can mean prequels/sequels etc. AND they can exploit those prequel/sequel rights without your involvement!

If you missed the chat or want to remind yourself, we’ve posted the entire transcript as a PDF document here. The PDF will open in your browser and you’ll be able to save it to your computer if you like. You can also get to know your fellow genre fiction lovers by clicking directly on their Twitter handles.

Bear in mind that the chat appears from newest to oldest tweets, so start on the last page of the PDF and work your way forward to the first page

Thanks to everyone who stopped by to participate!

REMEMBER: Book Country Twitter chats occur every other Thursday night from 9-10 pm EST. Just use the hashtag #bookcountry to participate or follow along. Topics are announced in advance in the Book Country Discussion forums, so be sure to take a look!

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