Today’s blog guest is one of my absolute favorite writers: Ayelet Waldman. Ayelet and I have crossed paths many times over the years. An author of acclaimed fiction, memoir, and cozy mysteries, I’ve been following her exciting body of work for the last decade, always eager to see what she’ll do next. Her new book is LOVE & TREASURE, a heady mix of Literary Fiction, Women’s Fiction, Mystery, and Historical Fiction set partially in Hungary, a place I love to read about. Read on for Ayelet’s singular take on the writer’s life.
LS: LOVE & TREASURE is a novel in 3 parts, each functioning almost like a novella. Why did you structure the story the way you did?
AW: You said the dreaded word, “Novella!” No! No! No!
The truth was that I had the structure before I had the novel. I fell in love with three-story structure first when reading The Hours by Michael Cunningham, then in Three Junes by Julia Glass. I read them when I first started taking the project of writing seriously, when I had emerged from my apprenticeship writing light-hearted mysteries, and had started to imagine trying something more ambitious. Those two books gave me a deep appreciation both of structure, and of the importance of theme in creating the world of a novel. They taught me that what is true and real about a story can transcend even characters. That’s a terrifying thing to contemplate, in a way. That what we care about in a novel can be something deeper even than the people in it, that our commitment to the story can survive the disappearance of characters we are invested in and care about. Continue reading