Labor Day weekend always reminds me of one of my favorite books, PREP, by Curtis Sittenfeld. I read it obsessively over a Labor Day weekend many summers ago, barely doing anything else until I’d finished it. In graduate school, I met a writer named David Busis, and when he told me how much he loved the book, too, I knew that we’d be friends. In admiring the same book, we spoke something of the same language. When the two of us had a chance to take a writing workshop with the author, Curtis Sittenfeld, we were like giddy children all semester. Not only is Curtis a fantastic novelist, she’s also a great writing teacher, generous with her time and insights.
I asked David, who recently became a Book Country member, to write a blog post for us about what PREP means to him as a writer.
When I was teaching at a prep school, I asked the head of the English department if he liked Curtis Sittenfeld’s PREP. He complained that Lee, the main character, never changes. Actually, Lee grows up, but you can only measure the change by triangulating between yourself, the high school protagonist, and the adult narrator.
Like Lee, I experienced adolescence as a maelstrom of desire, a time when the most pedestrian feelings of rejection and loneliness sometimes seemed poetic and noble because of their intensity. Most of the things I wanted—a school prize, a girl, an invitation—seem unimportant, though they felt more urgent than almost anything else has since. I love the book for reminding me of that urgency. Continue reading