The fantasy genre has a complex and diverse landscape–and incorporates the kind of assortment of tropes, conventions, and magical creatures that can make you head spin. The challenge of writing fantasy comes from having a good overview of the genre, knowing to nod to what’s come before, and build upon it. In fact, one of the SF/F editors I talked to recently said that the two most common mistakes writers make in submissions are that they either try to reinvent the wheel and, unbeknownst to them, write a story that has a plot similar to one of the all-time SF/F classics or they rely on genre paradigms that were the rage decades ago and are no longer popular. If you want to be published today, you have to be familiar with what’s published today as well as know your ABCs when it comes to fantasy: J. R. R. Tolkien, Mercedes Lackey, George R.R. Martin, Philip Pullman and so on. You have to be fluent in fantasy.
That’s why we wanted to spend some time on the epic fantasy genre–a pretty “hot” genre of late, and demystify the small but significant ways in which is differs from other fantasy subgenres such as historical and traditional fantasy.
When I saw the cover reveal for Book Country member Kerry Schafer‘s WAKEWORLD (which comes out from Ace in January), it literally took my breath away.
The WAKEWORLD cover is just one of many iconic book jackets designed by UK cover designer Larry Rostant, whose work also includes the well-known covers for George R.R. Martin’s books, used by Martin’s publishers around the world. He’s designed covers for every kind of book, from Romance to Literary Fiction to Science Fiction. Larry says, “My job is to get the reader to choose that book and to lift it off the shelf.” Continue reading →
A guest post by fiction author and editor Barbara Rogan.
My name is Barbara, and I’m an addict.
I’m addicted to Game of Thrones. That’s not all; I’m also hooked on Bates Motel, and just recently I kicked Downton Abbey—not through any effort or willpower of my own, but because the supply dried up.
The Game of Thrones trouble began with the George R.R. Martin books. I was writing A Dangerous Fiction at the time, and was in search of a bit of light reading as a palette cleanser. I started reading the first book in the series, and several million pages later, I looked up blearily from the last and realized that three weeks had passed and I hadn’t done a lick of work. The TV series only made the situation worse. I started out watching each new episode on Sunday nights. Before long I was mainlining repeat showings two or three times a week. Continue reading →