I am so thrilled to have author David Anthony Durham on the blog today. His ACACIA series made me fall in love with the epic fantasy genre: The trilogy’s breathtaking, multi-layered story, innovative take on magic, and daring vision of human frailty meant we had to add it as an epic fantasy Landmark Title on our genre map — next to titles by George R.R. Martin and Patrick Rothfuss.
Here David answers questions about craft and genre in the ACACIA series.
NG: In the first ACACIA book we encounter a dynasty that ruled the known world for 22 generations. We’re talking about a large canvas: a complex geography, a slew of different cultures, and quite a bit of history to invent and deploy. It’s a truly “epic” fantasy. How did you manage to keep track of all this information as you were writing? Where do you start when you have such a huge task on your hands?
DAD: I start in several places at once. At the core of it all is the Akaran family, the father and his four children and the reality of the dynasty he’s leaving to them – and the guilt and unease he has about the horrible legacy that their wealth is built on. I knew from the start he was sitting on some major secrets, and what could be worse for a father that loves his children than knowing that his empire sells children – other people’s – into slavery? Once I had that idea I had to figure out who they traded with, and why those people would want an unending supply a child slaves. So, one thing – family dynamics – quickly expanded into larger and larger issues.
The map featured in the first Acacia book.
Also, there was the map. Wouldn’t be an “epic” fantasy without one, right? Doodling it out was another way the world took shape. Filling in the continents and the climates and features all gave me clues to the types of societies and races that would live there. The more I doodled the larger the map got. I tried to circle the continent with oceans, but then I got to wondering what was beyond those oceans. And so I got the ships out – big ones – and went sailing.