I’m such a fan of Jane Green. In fact, the one time I met this Women’s Fiction author in person, it was one of the few times in my life where I have really been starstruck by an author. Jane’s bestselling books have been my faithful companions since I discovered them in college. As Jane’s characters are often British, it was from her that I learned essential vocabulary like “naff” and “spot of shopping.” We chatted about how she’s grown and changed as a writer over the years, how she accommodates the busy dual roles of mothering and writing, and what’s changed for her since she’s lived in the US.
Lucy Silag: You must hear from a lot of readers like me: people who’ve been reading you for a long time, and who’ve grown into adulthood with you. In that time, how have you changed as a writer?
Jane Green: I’ve changed enormously as a person – ageing, motherhood, divorce, etc., etc. – all have softened and changed me, and subsequently, of course, my writing. I think I am rather more circumspect as a writer these days, and definitely more accepting. My earlier books are filled with a judgment that now makes me shudder in horror.
LS: Chick lit is supposed to be such a fluffy genre—and yet it seems like books in this subgenre of women’s fiction talk about subjects that a lot of other writers are afraid to address.For example, your book BOOKENDS was the first mainstream book I ever read that talked frankly about HIV testing. That meant a lot to me as a reader. Do you feel like you get to explore a lot of social taboos by writing “women’s fiction”—or is it something that you’d be doing no matter what genre you wrote?
JG: I write about the things that matter to me, issues that have personally touched me (often), or things I am trying to work out in my own life. The recurring themes in my book are no coincidence – I do think it is the most spectacular opportunity to work out the issues of my childhood, getting closer and closer to healing with every book!
LS: What are the biggest differences about publishing in the US and the UK?
JG: I don’t really remember anymore, having lived here for 13 years. I think perhaps there is more focus on the craft of writing over here, and certainly on editing – I rarely edited in England, and now I have had to practically rewrite entire books. It is something I have come to value above all else, despite the drudgery of having to go over it again and again; there is no question I am writing the best books of my career because of the work my US editor requires of me.
LS: Tell us about your most recent main character, Gabby, from TEMPTING FATE. What was the first detail you knew about her? How did you grow that into a full character?
JG: I knew she was English, and knew she had a crazy, over-dramatic, glamorous, bohemian mother, who paid her no attention whatsoever as a child. I had a very clear picture of their house in Belsize Park, London, and it all grew from there.
LS: If I remember correctly from your Facebook posts, you have four children. How on earth have you written 15 novels with so much activity in your house?
JG: It requires a huge amount of discipline. And energy. The energy bit has been harder the last few years as I’m living with Lyme Disease, or rather, more specifically, Post-Lyme Auto-Immune Disease, and Hashimoto’s Disease, so I spend a lot more time in bed than I used to. Continue reading