Tag Archives: querying

Ask a Literary Agent: Nephele Tempest Answers Your Questions!

Posted by May 27th, 2015

Ask a Literary Agent: Nephele Tempest Answers Your Questions!We’re happy to have literary agent Nephele Tempest share her experience with the Book Country community! Nephele has been a member of The Knight Agency since 2005 and is based in Los Angeles. Nephele is currently seeking works in a wide variety of genres, including literary fiction, romance, and young adult.

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If you feel that a novel from a first-time author is strong (style, voice, premise, etc.) — but, could use some changes (more than simple tweaking) — are you likely to say to the author: Make these changes and then send it back to me? – Val

I have definitely done this in the past, but it’s the exception rather than the rule. If I really love a story concept and think the writing is strong, I will occasionally make a few suggestions to the author with an offer to reread if they decide to follow up. Not everyone takes my suggestions, but I have seen revised manuscripts in this way. On one occasion, I did end up signing the author. We did a few more rounds of revisions once I had signed her on before I submitted the book to editors and sold it. The first round of edits she performed before I signed her on showed me that she was capable of following directions and that she was willing to work to get the book to a salable point. These are great qualities to see in a client.

As a member of the Book Country community of writers, I have a manuscript (Historical Fiction/Personage) that lately has been receiving five nib (star) reviews. The book is virtually finished, but I am in a quandary as to whether to seek an agent or self-publish. I have worked on this story for many years, and it is the advice from other writers that has helped me bring the novel to this point. – Rob Emery

Only you can decide whether you are interested in going the traditional publishing route or if you want to self-publish. Each route has its advantages and disadvantages. The traditional route can be time-consuming, but you end up with a group of people working for you to help get your book into the world — an agent, an editor, a marketing department and sales team, etc. If you self-publish, you still need those people and will need to find them and pay them for their work. I recommend you research both ways of doing things and pick the route that seems best for you. Either way, give the process time to work. Commit to the choice you make and really put in the time and effort to make your book a success. Too often I receive queries from authors who have self-published a few months ago and aren’t happy with the results, so they now want to try again the traditional way. I can’t really do anything for them because all they’ve done is create a poor sales history for their project that will make it hard for me to sell to a publishing house. So whatever route you choose, give it your all. Continue reading

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Ask a Literary Agent: Regina Brooks Answers Your Questions!

Posted by May 20th, 2015

Ask a Literary Agent: Regina Brooks Answers Your Questions!

Regina Brooks is the founder and CEO of Serendipity Literary Agency LLC. In November 2010, Brooks co-founded and launched a new publishing imprint under Akashic Books called Open Lens. Regina shares the one thing all successful writers have in common and what writers should do to build a readership.

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What do you do if a book by one of your clients gets a cover that you find really ugly, but the publisher and the author love it? Do you hold your tongue or do you put in your 2 cents? – Lucy Silag

This has happened several times in the last several months. When evaluating covers, I use the following criteria as my first line of communicating my hesitation on a design.

  • Does the author’s name appear clear and strong? Sometimes the title or other features can overshadow the author’s name on a cover. I’m always sensitive to making sure we build the author’s brand and the name is showcased prominently.
  • Does the cover incorporate a color palette that will resonate with the audience appropriately? For example, business books often use black, red, or blue. Girl books for younger audiences typically incorporate purples, pink, or yellow. Of course, covers can certainly veer from these conventions, but many years of research and theory have gone into selecting colors that work. One of my authors Elizabeth Harper has taught me a lot about colors and how they are received.
  • Does the cover show up well in a thumbnail size? There are often wonderful fonts and illustrations that work well in the print version but get lost in the ebook format. These days many consumers will first discover a book online, so it’s important that the title and author’s name are readily visible.
  •  Does the cover speak to the core demographic? There might be confusion as to whether the book is for women,  millennials, academics, etc. The cover needs to strike a chord with the target audience.

I’ve been in the business for 20 years, so I’ve seen my share of ‘ugly’ covers. Aesthetics are very subjective, so I tend to table my commentary unless I have something clear and focused that speak to the questions I’ve mentioned  above. If it’s just a matter of taste, I will certainly tell my author, but I will often acquiesce to the author and editor if they are in sync. Continue reading

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Ask a Literary Agent: Mary C. Moore Answers Your Questions!

Posted by May 13th, 2015

Ask a Literary Agent: Mary C. Moore Answers Your Questions!Please welcome literary agent Mary C. Moore to our latest round of Ask a Literary Agent! Mary is a Bay Area-based agent at Kimberley Cameron & Associates who loves representing authors who write unusual fantasy, grounded science fiction, and strong female characters.

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When reading a query letter for a work of fiction (esp. fantasy/sci-fi), I know that having both strong characters and a strong plot are important. But which will make you more likely to keep reading and why? – Vanessa Silva

For me personally, the opening scene has to have forward-moving action. If an author spends a lot of time giving back story, they lose my interest. I want to feel like I jumped in the car with you and we took off for an adventure. This doesn’t mean the action has to be “high-stakes exciting” per se, it just has to have momentum. Continue reading

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