Remember in August when Putnam editor Kerri Kolen stopped by the blog and told us about books she was excited to publish this fall? Then you’ll likely recognize the name Hester Young–she’s the author of the supernatural thriller THE GATES OF EVANGELINE. Kerri’s enthusiasm for Hester’s writing is catching, and once you check out Hester’s debut, you’ll see why Putnam eagerly snapped up Hester’s next two books as well.
Here at Book Country, we’re excited to be giving away 3 hardcover copies of THE GATES OF EVANGELINE. Just in time for Halloween, this is a spooky read Publishers Weekly called “haunting, heartbreaking, yet ultimately hopeful.” Enter to win your copy here.
Read on as we spend the day with Hester, going behind the scenes of her life as a celebrated debut writer promoting her first book and hard at work on her second.Continue reading →
Say hello to this morning’s blog guest Kerri Kolen, Executive Editor at G.P. Putnam’s Sons (Putnam), the Penguin Publishing Group imprint that holds the record for more New York Times hardcover bestsellers in the last two decades than any other imprint. Kerri’s going to be one of the fabulously knowledgeable panelists on the Book Country panel at the upcoming Slice Literary Writers’ Conference talking about “Unconventional Paths to Publishing.” Below she shares insights on what sets apart the books she acquires for Putnam, and what she’s excited about publishing this fall.
LS: You are in charge of the nonfiction program at Putnam, where you edit books on a huge variety of subjects (including lots of books by famous people!). For the non-famous writers of nonfiction among us, can you tell us what qualities will set a manuscript apart for you?
KK: From Word One, the voice will set a manuscript apart. And then pretty soon thereafter, I will be able to tell if the writing is singular or not, as well. Those two qualities are so incredibly important for obvious reasons, but also because those are the qualities that are very difficult, if not impossible, to teach a writer or tease out in an edit. After that, depending on the type of book, I will always look to the narrative itself. What is the story? Is it new? Is it something that readers will feel compelled to tell all of their friends about? And of course, a platform is always very helpful. You don’t have to be famous to build a nice platform–whether it be on social media, with a blog or website, with a brand, with a voice to a larger community in some way or another. And then attached to that: how engaged is the audience? I’d take a smaller but highly engaged audience over a tremendous number of less engaged readers every time. The platform is not essential (and we would look to help the author with building a platform in the months between acquisition and on-sale) but it certainly helps me value the project. Continue reading →